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The Ellen Sinopoli Dance Company offers a striking collection of dance works by Artistic Director Ellen Sinopoli. Her choreography spans the spectrum from brilliant transient gems to stunning full evening works
Current Repertory:
Brink - This dance ingeniously
dives into the disparate and compelling music of Dave Douglas, American
trumpeter and two-time Grammy nominated jazz musician.
"Thisis a cool, ultra-hip work that devoured space while expending gobs of energy..."
~ Daily Gazette
Sepia - Set to Aaron Copland's "Music
for the Theater" this ensemble work is at times reflective
or exuberant, nuanced or bold, goofy or grand.
"The dancers are a band of faries or a Grecian frieze come to life..."
~ Times Union
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Contrapuntal Fling - Leonard Bernstein's "Prelude, Fugue and Riffs" drives this energetic piece as the dancers scat, syncopate, shadow and swing to a truly extraordinary array of sound.
“...surrenders to the innate desires of the body to follow the impulses called up by the music ~ Times Union
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Compas – A dance delightfully filled with the singular energy and dynamic of the “compas” (groove) for Flamenco: Tango, Siguiriya, Farruca, Rumba and Bulerias. Maria Zemantauski’s stunning musical composition is fused with an array of jazz and funk that takes the dancers and audience on a most enticing ride.
“Turns, kicks, slides, circling hips, staccato rhythm and lots of attitude gave the piece heat and punch; the fluid sections were particularly striking. ~ Times Union
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Oh My… - A whimsical suite of five mood swinging dances, inspired by snippets of prose collected by Sinopoli and the music from the classical crossover disc “Appalachia Waltz” by Edgar Meyer, Mark O’Connor and Yo-Yo Ma.
“sunny…luxuriously lazy…fun and fickle…captured the imagination”
~ Daily Gazette
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The Walk - A solo choreographed to music by Cornelius Duffalo of the string quartet Ethel that explores the styles of walking, but with a flair.
“[the dancer] was divine in this elegant dance in which she appears as a polished debutante practicing her entrance into the ball. She was gorgeous.” ~ Daily Gazette
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Into Dark Moods - An ensemble for five dancers that explores the sense of disconnect, so much a part of the world today. The work is choreographed to “Pottery Shards” composed by Münir Beken for string orchestra after a visit to Western Asia Minor.
“a gripping portrayal of the desperate and lonely” ~ Daily Gazette
Spill Out! - Challenging the limits of movement and space, ESDC goes to the extreme edge of discovery as the dance, music, video and lighting create an evening of visual enchantment.
“not only intrigues, but also transports us to somewhere we’ve never been before” ~ Times Union
Vooz-é-la - Set to four songs by Zap Mama whose eclectic mixture of styles hovers somewhere between soul, gospel, pygmy song and Afro-Cuban rhythms, ESDC’s dancers are propelled and inspired by the acrobatic female voices of these extraordinary singers.
“a gorgeous, juicy dance, one of Sinopoli’s best…crisp, sensual and pure fun all at once.” ~ Times Union
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Ream - Drawn to the twists, turns, suspensions and rhythms of Maria Zemantauski’s classical guitar, Sinopoli conjures images of reams of paper being released from high above. As she watched the fascinating journey of descent, her solo work for a female dancer gracefully drifted into being. |
Jammin’ - Sinopoli makes a sizzling connection with Laurel Masse (one of the premiere jazz and cabaret artists of her generation and co-founder of the Grammy award-winning vocal group Manhattan Transfer) and Adrian Warnock-Graham (a cool, cool swing dancer whose improvisational shenanigans dazzle).
“In Jammin’ Sinopoli brings together member of two tribes, the lindys and the moderns, and makes it smooth as a drugstore malt.”
~ Metroland
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Animal Rhythms - ESDC partners with composer/percussionist Brian Melick to create a fascinating exploration of animal movement through original live music. This dance puts forth the fun and engaging movements and images of animals moving across the veldt - noble and graceful giraffes, laughing and mocking gibbons and elegant gazelles that run like the wind.
“giraffes with long upraised arms, lumbering gibbons with humped shoulders and gazelles who flew about the stage” ~ Metroland
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Falling – Commissioned by The Egg for its 25th anniversary, this dance features music composed and performed by percussionist Brian Melick and guitarist Maria Zemantauski.
“Responding to Zemantauski’s rising and falling arpeggios and Melick’s ripples and thwacks, the dancers molded the space around them, not slicing the air, but pressing and pushing it as if they were working a mound of clay.” ~ Metroland
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Becoming – Based on
a Rainer Maria Rilke poem, this dance for a solo female
pulsates with longing, questioning and beauty to Zoe B. Zak’s music
for voice and accordion that brings a captivating combination of tonalities
that are tied to her Jewish-American roots.
“the dance simmered with uncertain longing…” ~ Times Union
Rising Low – Choreographed to music by Otis Taylor (blues) and Iris DeMent (country), Sinopoli tells a poignant tale of loss and loneliness.
“Rising Low is one of those works that resonates into the deepest recesses of the heart and mind.” ~ Daily Gazette
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Winged – Commissioned by The Egg for its 25th anniversary, this dance features vocalist Siobhan Quinn and is inspired by the imagery of birds – free and soaring as well as still and flightless, bound to the earth.
“an airy, haunting quality of birds in flight” ~ Daily Gazette
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Coming & Going – Dancing to music by “Junkman” Don Knaack, the entire company blasts it way onto the stage with high-flying energy and fearless athleticism.
“Knaack’s one-man gamelan orchestra of oil drums, fly swatters, pot lids and plastic drainage tubing, fuelled the split-leg jumps, runs, crashed and rolls of [the dancers]” ~ Metroland
From the mind, of a single, long vine, one hundred opening lives - Bold spirited choreography intertwines with Jim Lewis’ finely crafted sculptures to carve a landscape of vivacity and intimacy. A full evening work, the dance unearths and delves into the legends, secrets and anecdotes emanating from these African influenced designs.
“The eight dancers related so intimately with Jim Lewis’ set of carved cedar objects that the dancers’ bodies and the wooden benches and tools combined as powerful sculptures, part human, part glowing wood” ~ Metroland
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Regalis – A lush ensemble work set to a cello score by Gideon Freudmann. Truly, music in motion.
“rich with sensual texture of draping arms, long extensions, soft rolls” ~ Times Union
Dreams– A passionate duet that explores dreams and sleep, set to the haunting music of Arvo Paert.
...arrested the intangible state of sleep and the mysteries of a dream - in moments of fear and those of fancy... ~ Daily Gazette
Vain Endeavors – A spoof that offers a witty and satirical look at the world of high society and all of its false pretensions.
"..a clever trio that satirizes narcissism, envy and one-upmanship…a dance of madness, obsessiveness disguised as fine manners ..." ~ Metroland
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Tiamat – Provocative and primitive. Finely detailed moves, from compressed shapes to splayed extensions to quirky arrangements and isolations, capture the audience.
“carved beauty from deliberately effortful horizontal bends and vertical stretches” ~ Metroland
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Clusters - A mesmerizing ensemble work involving patterns of groupings and clusters that combine crystallizing stillness and sculpted form with the shattering effect of loose driving energy.
“a mature work of art that was seductive, ritualistic and completely mesmerizing ” ~ Daily Gazette
Pierre ’s Words - A multi-layered work with dancers, musicians and a poet responding to and guided by the electronic orchestration of composer Joel Chadabe.
“abstract and expressionistic...shape, motion, balance and velocity on their own terms” ~ Metroland
Segue – witty, playful, surprising with music by Brian Melick
“like one flexible machine” ~ Metroland
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